Hot! Tattoo Convention Booth Set Up—By Larry Brogan—Part 2

PREVENTING AGAINST THEFT

Convention Booth Set Up Part 2 Light Clamp by Larry Brogan 300x225 Tattoo Convention Booth Set Up—By Larry Brogan—Part 2

Light Clamp

In Part 1 of “Tattoo Convention Booth Set Up,” we touched on things such as having promotional items, business cards and stickers, a proper banner size and good overall lighting. In part 2, I’ll talk about keeping your items safer from theft, helpful display tips and a continuation of proper lighting.

I always wonder how so many artists can tattoo without proper lighting. I have always preferred a table-mounted gooseneck-style lamp that lets you move your lighting where you need it, so you can always see what you are tattooing, which can only increase the overall quality of your tattoos.  At conventions, I bring a small lightweight lamp that clamps to the side of a table.

Convention Booth Set Up Part 2 Portfolio by Larry Brogan 11 300x225 Tattoo Convention Booth Set Up—By Larry Brogan—Part 2

Portfolio taped to table

One of the problems with this is you never know what type of table you will be provided, and many of them are too thick or configured in a way that you cannot use the clamp. My solution is to bring a Phillips screwdriver and a couple one-inch drywall screws. Simply screw the part that holds the lamp to the top of the table. If this piece of the clamp does not already have holes in it, you may want to drill some before heading to the convention. This method will solve the problem of your clamp coming loose and falling to the floor or onto your client, in the middle of a tattoo session. I also bring a CFL compact florescent bulb, when I travel, because it is more durable than the delicate filament of a traditional incandescent bulb and puts off less heat. If you break your bulb, borrow one from your hotel room…wink wink.

Convention Booth Set Up Part 2 Velcro Backpack by Larry Brogan 31 225x300 Tattoo Convention Booth Set Up—By Larry Brogan—Part 2

Velcro-ed backpack

If you are displaying tattoo flash or prints, you will do best by having a set laminated, so you can use it again and again without risking damage to paper copies alone. I like to use clear packing tape and affix several prints end to end, accordion style, so I can attach them to the pipe and drape at the back of the booth and easily fold them up, when packing at the end of the show. Packing tape also works well for hanging the flash or prints from the top of the backdrop, or you can punch holes in the top piece of laminated artwork and use banner hooks to hang them. Always be sure you bring plenty of banner hooks. These are just a simple piece of wire bent into an S shape, sometimes provided by the convention promoters, but not always. Save the hooks that you find at a convention, they will always be handy, and the artists in the booths around you will always be looking to borrow some.

Clear packing tape to the rescue again. I use it to tape my portfolio to the top of the front table to discourage people from stealing it. I have known many artists over the years that have had their portfolio and other things stolen, so you must do what you need in order to protect your belongings from dishonest people.

Convention Booth Set Up Part 2 Velcro Bag by Larry Brogan 2 300x295 Tattoo Convention Booth Set Up—By Larry Brogan—Part 2

Velcro-ed suitcase

Your backpacks, purses and even large suitcases can also be pray for thieves, when stashed under the table or in your booth. I bought a roll of two-inch Velcro and stuck the two halves together, creating Velcro straps that you can cut to any length and use for many purposes, such as strapping the handles of your bags to the legs of the table. If someone tries to run off with your bag, they may take the whole table with them, in which case you will know whose ass to beat. I will talk more about the handy Velcro straps in a later article about packing for tattoo conventions.

—Larry Brogan, Tattoo City, Lockport, Illinois

2 Comments

  1. Just my .02 about safeguarding stuff at conventions: I have been photographing conventions for many (many!) years and finding a safe place to stash photo gear can be a problem. I quickly learned that trying move around a crowded convention floor with a large camera bag was not a particularly good idea and while I could always find an artist who’d let me stash a case at his booth, I always figured these folks had better things to do than play security guard to my gear. Solution: a “cable lock.” These are combination locks with retractable cables instead of shackles. Cables usually run about 3 feet long, long enough to secure a case to a table leg, a pipe or something else that wasn’t going to move. The locks are small, inexpensive (under $10) and very solid. Yeah, the cables can be cut, but it would take a bit of doing and a heavy duty cutter. Lots more work than cutting a piece of Velcro. I also travel to some pretty ‘odd’ places and use cable locks to secure luggage and gear in hotel rooms, in buses and on trains and occasionally even in station waiting rooms.

  2. CFL’s when broken provide a very real health risk, no joke. Then you enter broken skin into the mix smh. Why not just use a head lamp. Unless your worried about how you look it works great!

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